You is not a show for the faint of heart, but it’s also not a thriller that rests easily on its underlying darkness. Each You season is a flavor unto itself, switching locales and ladies and letting Joe make the worst kind of case for himself. Luckily, You is very aware of this, taking the initial premise of the first season - boy meets girl, boy stalks girl, boy manipulates her whole life to a dangerous degree - and continues flipping it over, putting Joe through his paces, letting him scramble to cover his ass as he gets in deeper and deeper. This is the double-edged sword of watching You and following Joe in his unethical exploits: He is outright the villain of his own story. The man is in a league of his own when it comes to stalking women and obsessing over them. ![]() No one is doing it like Joe Goldberg (Penn Badgley). The second season was recently released on Netflix, and both seasons are very much worth your time. Leclercq and writer Hamid Hlioua have created a muscular little thriller anchored by strong leading performances and the director’s tension-filled style of building action and conflict. In Ganglands, a crew of expert armed robbers are drawn into a gang war: They’re so dang good at crimes, everyone wants to hire them, even the people they rob. It shares the same name, lead (the excellent Sami Bouajila), and general vibe, but is not technically a sequel or a remake. Six years later, Leclercq took his talents to television with the Netflix series Ganglands (also known as Braqueurs). He made the very good Olga Kurylenko thriller Sentinelle, the Jean-Claude Van Damme-led The Bouncer, and my favorite movie of his, the tense crime thriller Braqueurs (also known as The Crew). Zosha Millman Ganglandsįrench action cinema is having a bit of a renaissance, and one of the leading figures is director Julien Leclercq. Babylon Berlin is a web of history and conspiracy, and by taking those elements equally seriously and methodically, you get a twisty, hardboiled detective story for the ages. Answers don’t come easy, and a whole country’s politics don’t change overnight. ![]() ![]() The show is perhaps one of the slower boils on this list the thrills of the mystery, such as they are, come from meticulous pacing. Together they provide two very distinct vantage points on the Weimar Republic’s waning days, exposing the rot of what’s to come at the same time they find hope in what could’ve been.īabylon Berlin’s trick is by not getting ahead of itself. That tension is captured in Babylon Berlin by two protagonists: Gereon Rath (a soft and strong Volker Bruch), a vice inspector on a secret mission to take down an extortion ring, and Charlotte Ritter (Liv Lisa Fries, all vinegar and chutzpah), the new police clerk who moonlights as a sex worker. But the ’20s in the world of Babylon Berlin exist just before that horror, when the degeneracy from all that economic downturn could give way to roaring ’20s clubs just as easily as unending darkness. We know this, of course - with the vantage point of history, the Weimar Republic era was marked by economic insecurity and the beginning of the Nazi Party.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |